07 Ott cinematic artwork

• Empire of the Sun artwork
• Release art

Cinematic artwork

The comic book market remains red-hot, fueled by Marvel & DC movie franchises. Rare first appearances, graded issues, and limited variant covers continue to break records at auction rockies odds. A near-mint copy of Amazing Fantasy #15 (Spider-Man’s debut) recently sold for $3.6 million.

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Welcome to the Graphic Collectibles’ online gallery of original, collectible comic artwork. From original Superman comic art and Spider-Man comic art, to original X-Men comic art and Batman comic art, Graphic Collectibles carries it all. The owner, Mitch Itkowitz, has been in the business of selling original/vintage comic art for over 40 years.

Empire of the Sun artwork

Another fascinating exhibition. The concept, that of vanishing time, a vanquishing of time – inspired by Kurt Vonnegut’s 1969 novel Slaughterhouse-Five and the Japanese photographer Kikuji Kawada’s 1965 photobook The Map – is simply inspired. Although the images are not war photography per se, they are about the lasting psychological effects of war imaged on a variable time scale.

Ms. Ractliffe, who lives in Johannesburg, took the photographs in 2009 and 2010 in Angola on visits to now-deserted places that were important to that country’s protracted civil war and to the intertwined struggle of neighbouring Namibia to gain independence from South Africa’s apartheid rule. South Africa played an active role in both conflicts, giving military support to insurgents who resisted Angola’s leftist government, and hunting down Namibian rebels who sought safety within Angola’s borders.

While the images allow increasing passages of time between events and the photographs that reflect on them – “made moments after the events they depict, then those made days after, then months, years and so on” – there settles in the pit of the stomach some unremitting melancholy, some unholy dread as to the brutal facticity and inhumanness of war. The work which “pictures” the memory of the events that took place, like a visual ode of remembrance, are made all the more powerful for their transcendence – of time, of death and the immediate detritus of war.

Another fascinating exhibition. The concept, that of vanishing time, a vanquishing of time – inspired by Kurt Vonnegut’s 1969 novel Slaughterhouse-Five and the Japanese photographer Kikuji Kawada’s 1965 photobook The Map – is simply inspired. Although the images are not war photography per se, they are about the lasting psychological effects of war imaged on a variable time scale.

Ms. Ractliffe, who lives in Johannesburg, took the photographs in 2009 and 2010 in Angola on visits to now-deserted places that were important to that country’s protracted civil war and to the intertwined struggle of neighbouring Namibia to gain independence from South Africa’s apartheid rule. South Africa played an active role in both conflicts, giving military support to insurgents who resisted Angola’s leftist government, and hunting down Namibian rebels who sought safety within Angola’s borders.

Release art

Musical performers often self-release (self-publish) their recordings without the involvement of an established record label. While some acts who enjoy local or small scale popularity have started their own labels in order to release their music through stores, others simply sell the music directly to customers, for example, making it available to those at their live concerts. With the growth of the Internet as a medium for publicizing and distributing music, many musical acts have sold their recordings over the Internet without a label. Unlike self-publishing a novel, which is usually done only when no other options exist, even well-established musicians will choose to self-release recordings. Music managers are increasingly getting involved in such releases and with the advent of artist management labels which have stepped in to save the situation. In Kenya, for example, most record labels only handle production, thus leading to a situation where records are marketed less. This has prompted music companies like Grosspool Music to sign independent artists and manage their branding, releases, and marketing.

Hoe ziet een Agile Release Train (ART) er eigenlijk uit, en wat is een ART als je het hebt over SAFe? De stappen die wij in deze blog beschrijven vertellen je wat een Agile Release Train is en wat er nodig is om een ART op stoom te brengen.

Net zoals een trein de passagiers in een vaste kadans van A naar B brengt, zo zorgt een Agile Release Train voor het vervoer van waarde naar de eindklant. Het is een zelforganiserend team van meerdere Agile teams, bestaande uit passagiers vanuit alle delen van de organisatie. Deze teams (treinstellen zoals je wilt) samen zijn verantwoordelijk voor een bepaald eindproduct. Dit team, bestaande uit Scrum teams vanuit meerdere disciplines, plant en voert gezamenlijk werkzaamheden uit binnen een bepaalde timebox (Programma Increments, ookwel PI’s genoemd). Een Programma Increment duurt gemiddeld 5 sprints.